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How do movie production companies choose the ...

How do movie production companies choose the scripts that will be made into actual movies?


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I suppose that they read them and then decide if they feel like it is good enough to be a successful movie. I'm sure that they need to believe that the script can bring in big money!

 
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THEY LOOK INTO IT, IF BAD THEY REJECT IT, IF GOOD AND APPEALING THEN THEY DO THE FOLLOWING;

1)check if any movie in the recent past had similiar script or storyline, if yes then they reject it.

2) in past similiar similiar script had got commercial success , if yes they shortlist it

3) finally they look into feasibility of it. ( like cast, and budget etc)

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"You have to die a little bit, in order to learn how to live."

 

In short?  Scripts are "pitched" by the best salespeople in the world. What I could share with you on this subject could be a book and to get at the "truth" it would have to be a TELL ALL.  Let me share my opinion.  Television is the "central nervous system of hummanity."  Scripts aquired for television usually seek a broad appeal.  Movies, like the stuff coming out in November. (ref) December212012.com either scares the hell out us or, tells a great STORY, or in some cases does it ALL.   Either way,  it all starts with an idea (true or not) which does to an outline.  In real short, the outline goes to development,  if the project is a company original.  If so, the script goes to production or not!!  There are so many factors at this stage.  Available talent, (in front and behind camera) budget and yes, even SEX and POLITICS.  So, my friend, as stated by "The Most Interesting Man In The World," in a popular beer commercial: "stay thirsty my friends."  Hey, what is your idea?  What is your fanatsy? what are YOU passionate about? Write it and then go sell it baby!!!   I pray we all have that time.                Luv,(thetravler)

 
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well..most og the scripts are taken from soem reknowned novels... so they just have to select the whole cast and crew and then the perfect direction !! that's the only funda of every film industry... the originality is lost...check out this site..moviewatchlist ...the only site which can guatantee you the high quality download !!

 

I just had a conversation with a big film and TV producer, he was talking about how awesome kindel is and how now instead of having to carry 20 heavy scripts he just e-mails the digital file to his kindel and then he can NOT read the scripts on Kindel instead of not riding it on paper...

The truth of the matter is this - most scripts don't get read even (I know, it's sad) studios get thousands of them every week. Most of the movies that get made by big studios are written by people who already wrote for movies before and had successes. A lot of other scripts are adaptations to successful books which were (yet again) written by author that already wrote before. Movies in big studios cost so much money to make, that they usually can't take the risk of working with a totally unknown writer.

If you are a script writer who's looking for a way in, there are 2 courses to take - start with small studios and indi movie companies, once you had a successful indi movie out there, it'll be easier to get in to the big studio league (yes Juno is a good example). Or, try publishing your idea in a book instead of a screen play. If the book does well, it'll be easier to get a studio to be interested in it.

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I'm a writer, and I have sold scripts, and have a movie in post now I'm hoping will come out soon. And believe me, if I knew the answer to that question I'd be rich.

I do know some things. As in publishing and music, most of the studios are owned by people for whom the bottom line is money, rather than people who geninely love movies. They buy scripts that fit into fads, whatever the current big sellers are, like movies based on comic books and shoddy remakes. They won't buy a film unless they feel it's guaranteed to make a few bucks.

You can no longer sell a script to most studios unless you go through an agent. No one will even look at your work. And, in a way, that's a good thing. This doesn't mean I LIKE that setup, but so many people THINK they can write a good script, when in fact they can't. Writing a script is far harder than writing a book. You have much less time to accomplish everything you need to accomplish.

Let me tell you something a high end producer once told me about how he looks at scripts. Before he even reads it, the first thing he does is to flip through the pages, just looking at the form of the script, to discover if the balance of action to dialogue is in good shape. And if it's not a good balance, he won't even bother reading the script. He knows it won't be good.

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